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Bebop Spoken There

Frank Zappa: "There was so much acid during the '60s that it was very easy for large numbers of people to think they had seen God as soon as the Beatles went boom, boom, boom, you know?." - (DownBeat May 18, 1978). – (DownBeat May 18, 1978).

Ryan Keberle: “Don't be easy on yourself when it comes to playing with perfect intonation. All other instruments will be playing with close-to-perfect intonation; the same should be expected of trombonists.'” – (DownBeat April 2018)

Today Thursday March 22


Vieux Carré Jazzmen - Holystone, Whitley Road, Holystone NE27 0DA. Tel: 266 6173. 1:00pm. Free.

Higher Education & Research Presents: Future Grooves - Sage Gateshead. 12 noon. £5.00. Showcase performances by BMus & BA degree course students featuring jazz and non-jazz sets.

Tees Valley Jazzmen - White Horse Hotel, Burtree Lane, Harrowgate Hill, Darlington DL1 3AD. Tel: 01325 463262. 1:30pm. Free.


MGB: Milne Glendinning Band - The Globe, Railway Street, Newcastle NE4 7AD. 7:30pm. £5.00. Milne, Glendinning, Katy Trigger (bass) & Nik Alevroyiannis (drums).

BABMUS @ Jazz Café, Pink Lane, Newcastle NE1 5DW. 8:00pm. £3.00. (£2.00. students/MU).

Rob Heron & the Tea Pad Orchestra - St Cuthbert’s Centre, Church Hill, Crook DL15 9DN. Tel: 01388 765002. 7:30pm. £7.50., £5.00. child, £20.00. family.

Higher Education & Research Presents: Future Grooves - Sage Gateshead. 7:30pm. £5.00. Showcase performances by BMus & BA degree course students featuring jazz and non-jazz sets.

Ada Francis & the Italic Quartet - Las Iguanas, Grey Street, Newcastle NE1 6AF. Tel: 0191 232 9729. 7:30pm. Fortnightly restaurant residency. Line-up: Ada Francis (vocals); Jimmy Jefford (tenor saxophone); Ben Richardson (piano); Luke Gaul (bass) & Harry Still (drums).

New Orleans Preservation Jazz Band - Oxbridge, Oxbridge Lane, Stockton on Tees TS18 4AW. 8:30pm.

Maine Street Jazzmen - Potter’s Wheel, Sunniside, Gateshead NE16 5EE. Tel: 0191 488 8068. 8:30pm. Free.

Tees Hot Club w. Gus Smith (vocal); Richie Emmerson (tenor); Bruce Taylor (keys) - Dorman’s Club, Oxford Road, Middlesbrough TS5 5DT. Tel: 01642 823813. 9pm. Free.

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Tuesday, March 13, 2018

CD Review: Owen Broder - Heritage

Owen Broder (alto/tenor/baritone); Sarah Caswell (violin); Scott Wendholt (trumpet/flugel); Nick Finzer (trombone); James Shipp (vibes/perc); Frank Kimbrough (piano); Jay Anderson (bass); Matt Wilson (drums); Wendy Gilles, Kate McGarry, Vuyo Satashe (vocals).
(Review by Lance).
As the name implies, Heritage is saxophonist/composer Broder's exploration of American roots music from Appalachian folk to early blues, spirituals to bluegrass, carefully weaving the elements into another distinctly American musical tradition - jazz.
The album kicks off with Broder's own Appalachian inspired Goin' Up Home with solos by Shipp and Finzer. The latter managing to slot the well known Milt Bernhardt phrase from Kenton's Peanut Vendor into his trombone solo.
Tokyo-born Miho Hazama provided Wherever the Road Leads which gave space for some fine alto playing from Broder, Finzer sans Bernhardt and some country fiddling from Sarah Caswell. An improvised hoedown in them there hills.

Sarah fiddled whilst serving the Jambalaya à la Bill Holman. Holman said: "I picked Jambalaya for its simple melody and harmony, which left space for me to do what arrangers do." It also left space for Wendholt to get some Miles in. Broder added: "This swinging re-imagination of the Cajun tune has closer ties to Birth of the Cool than the streets of New Orleans".
Jim McNeely arranged Cripple Creek drawing parallels with Jazz and Bluegrass. Trumpet, tenor, trombone and fiddle affect the merger of the genres and there ain't a banjo closer than you could throw one. A rousing Dixieland ride-out with some tailgating from Finzer.
Wayfaring Stranger takes me back to my pre-jazz days and a Burl Ives'78'. This Ryan Truesdale arrangement bears little resemblance to the Burl Ives version (or, indeed, Truesdale's Gil Evans' Project). McGarry, Gilles and Sotashe provide words to this bleak landscape that is only made tolerable by Jay Anderson's bass solo.
I'm Not Afraid to Die, a Hazama arrangement of a composition by Gillian Welch, showcases Kimbrough on piano and a mellow flugel solo by Wendholt.
Brodeo, composer Truesdale, captures the atmosphere of the rodeo with the bluegrass and the jazz played out by Caswell and Broder. Wilson's drums perhaps represent the bucking broncos - no, I'm not swearing!
The People Could Fly. Alfonso Horne's piece tells of an African tribe who could fly. They were taken into Slavery and shipped to America where all but one forgot how to fly. That one ancient reminded them how to fly and they flew away to safety. On the album, it is Finzer who flies with down-home earthy plungering. Satashe chants Karuka which means 'to fly'.
Broder wrote A Wiser Man Than me as a New Orleans dirge that allows the group to improvise freely. Broder blows baritone. Classic blues.
An interesting album that grows upon repeated listening.

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About this blog - contact details.

Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: I look forward to hearing from you.