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Bebop Spoken There

Wayne Escoffery: "My philosophy is keeping one foot in the past and one foot in the future" - DownBeat March 2018.

Scott Bradlee: “When audiences hear it [Sweet Child O’ Mine] there’s a lightbulb moment when they recognise the song’s hook, even though it’s in a different context. They’re so used to hearing it one way that it causes some cognitive dissonance. If it’s a song they’ve disparaged in the past and they now find themselves liking it, that’s really interesting to me” DownBeat March 2018.

Today Monday February 19

Afternoon.

Jazz in the Afternoon - Cullercoats Crescent Club, 1 Hudleston, Cullercoats NE30 4QS. Tel: 0191 253 0242. 1:00pm. Free.

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Monday, November 27, 2017

Darlington Jazz Club Jam Session @ Quakerhouse - November 26

Shaune Eland (trumpet), Alan Thompson (tenor saxophone), Steve McGarvie (keyboards), Alan Smith (bass) & Stephen Fletcher (drums) + Ray Johnson (flugelhorn), Rick Laughlin (keyboards) & Beth Roberts (alto saxophone)
(Review by Russell)
Darlington Jazz Club meets twice monthly, usually at the Quakerhouse pub in Mechanics’ Yard, usually featuring an invited band. Occasionally there is an all-comers jam session. This was one such occasion. A pint of Bear Ass from Cheshire’s Beartown Brewery, selected from a tempting, tip-top range of beers, then upstairs to be greeted, as ever, by Beth Roberts ‘doing the door’.
The house band – effectively the Jazztones – kicked off with Lee Morgan’s Tom Cat. Trumpeter Shaune Eland led a round of solos, followed by tenor man Alan Thompson, then a bluesy Steve McGarvie. Bernie's Tune heard solos from all concerned before Eland stepped aside to allow the first of the sitters-in to have a blow. Ray Johnson played flugelhorn on three or four numbers, the pick being Beautiful Love, with Rick Laughlin on keyboards.

Alto saxophonist Beth Roberts, done with door duties, attended to the all-important interval raffle. The second set featured Ms Roberts. Work Song for starters, as sixth former Roberts lead off in fine style, obliging Eland and company to up their game. Roberts thought she was done. What? One tune? No way! The Quakerhouse audience wanted to hear more. Roberts called Ladybird. Thompson stood down with Ray Johnson back on the stand. Once again Roberts set a standard that the boys in the band did their best to match. The early evening jam session ended with all on the stand blowing on Black Orpheus.    
Russell     

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Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to them all other than those we are able to answer with a positive response.
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About this blog - contact details.

Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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