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Bebop Spoken There

Buddy Rich: "You either swing a band or you don't swing a band - (Metronome April 1956).

Sinclair Traill: “Well I don't think he (Chet Baker) can sing either.” – (Jazz Journal August 1956).

Submissions for review

Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to them all other than those we are able to answer with a positive response.
Similarly, CDs received by post will only be considered if accompanied by sufficient background material.
Finally, bear in mind that this is a jazz-based site when submitting your album.
Lance

Today Wednesday December 13

Afternoon

Vieux Carre Jazzmen - Crescent Club, 1 Hudleston, Cullercoats NE30 3OS. 1pm. Free.

Brief Encounter - Vault, Hallgate, Hexham NE46 1XD. Tel: 01434 603884. 2:00pm. £7.50. advance. ‘’60’s Jazz’

Interim Recitals (Final Year Music Students) - Band Room, Music Studios, Assembly Lane, Newcastle University NE1 7RU. Inc. Harry Still (drums) 9:30am., Jimmy Jefford (saxophone) 11:15am. Free.

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Evening

Take it to the Bridge - The Globe, 11 Railway St., Newcastle NE4 7AD. £1. 8pm.

Billy's Acoustic Blues - Billy Bootleggers, 28 Nelson St., Newcastle NE1 5AN. 9pm. Free (weekly).

The Village Hall New Orleans Band - Springwell Village Community Venue, Fell Rd., Gateshead NE9 7RP. 8:15pm. £3.

Darlington Big Band - Darlington & Simpson Rolling Mills Sports & Social Club, Longfield Road, Darlington DL3 0HX. Tel: 01325 380401. 8:00pm. Free.

Swing Street - Pier Red, 27 Castlegate, Berwick upon Tweed TD15 1LF. Tel: 01289 309168. 8:00pm. Free.

Improvisers' Workshop Ensemble - Great North Museum: Hancock, Barras Bridge, Newcastle NE2 4PT. 6-8pm. Free.

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To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Thursday, May 25, 2017

Talinka @ St Ives Jazz Club - May 23

Gilad Atzmon (bass clarinet, sorprano sax, accordian and classical guitar); Tali Atzmon (vocal); Jenny Bliss Bennett (viola da gamba); Yaron Stavi (bass).
(Review by Peter Jones/ Photos courtesy of Trevor Lever)
A good-sized St Ives crowd gathered at the self-styled ‘last jazz club before New York’ on Tuesday night. As Talinka took the stage, many were wondering how the band would compare with Gilad Atzmon’s other musical ventures. In fact, though, the brains behind this project belong to his wife, the singer Tali Atzmon.
Looking at the line-up of bass clarinet, viola da gamba, double bass and vocals, one might predict a coalition of chaos. But one would be wrong. Very wrong. Talinka have a strange yet distinctive musical style whose main feature is an intense other-worldly melancholy, part middle-eastern, part Brazilian, part Berlin cabaret, part Tom Waits.

Gilad switches constantly between bass clarinet, accordian and nylon-stringed guitar, but the band’s real wild card is viola da gamba player Jenny Bliss Bennett, who wears a happily bemused expression throughout, even when singing vocal harmonies with Tali. In case you’ve never seen one, the viola da gamba is a fretted, six-stringed instrument a little smaller than a cello, played upright, and either bowed or plucked like a guitar. Bliss Bennett sometimes switches to violin. The last element of the rich Talinka stew is energetic double bassist Yaron Stavi.

A good example of their style is Don’t Explain, a bleak enough song when rendered by Billie Holiday, but now imbued with an almost unbearable sadness and longing. Another is Gilad’s composition Four 2 Tango, also their opening number, which sounds like someone trying to awake from an unpleasant dream. Or Duke’s In My Solitude, another one Billie used to sing, here redolent of deep melancholy and world-weary resignation.

Wait, come back – all this is a good thing: Talinka’s sadness is mixed with much human warmth, and this gives the music terrific emotional depth, whilst the unusual instrumentation lends familiar songs a whiff of the exotic. Tali herself is a wonderful songwriter – I particularly enjoyed Every Now And Then, which could have been composed by Leonard Cohen, and When You’re Gone, a bolero with gorgeous minor/major modulations. And throughout, the joker, provocateur and controversialist Gilad keeps up his usual banter with everyone in the room, including his wife. Very entertaining and richly enjoyable.

Peter Jones

1 comment :

Lance said...

Tonight's gig by Gilad with Paul Edis hasn't been cancelled but moved from Cluny to Ware Rooms, 16 Carliol Sq Newcastle.

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About this blog - contact details.

Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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