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Bebop Spoken There

Don Rendell: "It was about the time that the organ-type piano attachment - the clavioline - was invented. And the poster billing at one place where we played up north announced proudly, but erroneously: "The Johnny Dankworth Seven, featuring Frank Holder and the cleolaine" " - (www.jazzprofessional.com, December 2001).

Mary Lou Williams: “...it was discovered I possessed perfect pitch. Rumour of this oddity spread throughout the school, and pupils would drop pots and pans and other loud objects, asking 'What note, Mary?' (Melody Maker, 1954).

Today Friday May 25

Afternoon

Rendezvous Jazz - Monkseaton Arms, Front Street, Monkseaton NE25 8DP. Tel: 0191 251 3928. 1:00pm. Free.

Swing Manouche - Bishop Auckland Town Hall, Market Place, Bishop Auckland DL14 7NP. Tel: 03000 269 524. 1:00pm. £5.00.

Evening

Jerron ‘Blind Boy’ Paxton - Sage Gateshead. 7:45pm. £15.30. NRFH. Solo blues, multi-instrumentalist, influences include Fats Waller & Blind Lemon Jefferson.

Shatner’s Bassoon - Jazz Café, 25 Pink Lane, Newcastle NE1 5DW. 8:00pm. £8 (£6 in advance).

Hand to Mouth (Lindsay Hannon & Bradley Johnston) - Vicolo: Live in the Lane, Tyneside Cinema, Pilgrim Street, Newcastle NE1 6QG. 8:00pm. Free.

Baghdaddies - Spanish City Plaza, Whitley Bay NE26 1BG. 6:00pm. Online booking: £10.00. + £1.37 booking fee. The Whitley Bay Carnival ‘Big Ball’ featuring debut of the Baghdaddies’ big band line-up.

Nick Pride & the Pimptones - Cumberland Arms, James Place Street, Byker, Newcastle NE6 1LD. Tel: 0191 265 6151. 6:00pm. Free.

Swamp Hoppers - Billy Bootleggers, Nelson St, Newcastle NE1 5AN. 9:00pm. Free.

Steve Bone - Al Forno, 81 Skinnergate, Darlington DL3 7LX. 7pm.

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Thursday, May 18, 2017

Lickety Split @ The Globe, Newcastle - May 18

Eddie Bellis (trombone), Alan Marshall (alto saxophone), Paul Gowland (tenor saxophone), Kevin Eland (trumpet & flugelhorn), Bradley Johnston (guitar), Alan Rudd (bass) & Paul Wight (drums)
(Review by Russell).
Take it to the Bridge is an institution. Dave Weisser’s weekly ‘workshop’ has been going since the  year dot. From time to time the institution’s leader invites a band to come along and play a set. This week’s guests were fulfilling a twice postponed appearance at the Jazz Co-op’s Globe HQ.
Lickety Split is a no nonsense band. Turn up, play, job done. Band charts depleted due to a thief’s keen ear for something of real value – yes, stolen notes of the musical kind, of much greater value than a swag bag full of five pound notes – didn’t deter Eddie Bellis’ outfit. Minus the band’s absent pianist, Bellis and co were ready for Lift Off! Exhilarating, drilled brass and reeds, an object lesson in dynamics, the ideal calling card. 
                     
What’s New? enquired the band with a first shot at the stratosphere by Teesside’s top C trumpeter Kevin Eland. Rollins’ Doxy encouraged the frontline horns to craft a solo then pass the baton. Solo statements concise (an object lesson in how to present the music and connect with the audience), ensemble work neat and tidy, what’s not to like? Bellis suggested a Mulgrew Miller chart. In doing so the trombonist stopped mid thought…Is that lippy? The eagled-eyed Mr Bellis detected traces of lipstick on the mic. In jest our trombonist wondered if it was DW’s! Meanwhile…the Miller chart was nowhere to be found, perhaps it was one of the stolen charts?! Seamlessly the band opted to play Stolen Moments. Oliver Nelson’s masterwork could be thought of as Lickety Split’s signature tune. On this occasion, as always, Alan Rudd’s bass line was spot-on, and Eland rightly chose to play a mellow flugelhorn.

A new number in the pad – Horace Sliver’s Nica’s Dream – described by Bellis as: a bit of an epic, a corking Sandu, and I Remember Clifford featuring Eland and the seated Bradley Johnston, guitar. A couple more and the hour was up; Well, You Needn’t (drummer Paul Wight on the case) and Miles’ Four. The Railway Street audience wanted another one and Bellis obliged with another gold plated Horace  Silver number, Sister Sadie.


Earlier Dave Weisser’s merry band opened with one or two tunes including a Barry Ascroft original Mr Rascal and the main man, Mr Dave Weisser sang Secret Love. DW told the story of the time he met the one and only Doris Day. Ask him about it some time. 
Russell.  

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Lance

About this blog - contact details.

Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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