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Bebop Spoken There

Buddy Rich: "You either swing a band or you don't swing a band - (Metronome April 1956).

Sinclair Traill: “Well I don't think he (Chet Baker) can sing either.” – (Jazz Journal August 1956).

Fred Rowe Funeral Arrangements

The funeral of well-respected and much-loved trumpet player Fred Rowe will take place on Wednesday, December 13 at 14:00 hrs: Lytham Crematorium (Regent Ave, Lytham Saint Annes FY8 4AB). Afterwards - All warmly welcome for refreshments at 2 Chapel Close, Wesham, Preston PR4 3HB.
No flowers by request donations to Parkinson's UK. Should you wish to donate to Parkinson’s research, please contact the Funeral Directors (J & A Porter Funeral Services, Windsor Court, Windsor Road, Ansdell, Lytham St Annes, Lancashire FY8 1AH. Tel: 01253735423) or place in a collection box that will be provided at the end of the service.
"Please do come along, we would love to see as many of Fred’s friends as possible" - Joan Rowe and family.

Submissions for review

Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to them all other than those we are able to answer with a positive response.
Similarly, CDs received by post will only be considered if accompanied by sufficient background material.
Finally, bear in mind that this is a jazz-based site when submitting your album.
Lance

Today Monday December 11

Afternoon

Jazz in the Afternoon - Cullercoats Crescent Club, 1 Hudleston, Cullercoats NE30 4QS. Tel: 0191 NE30 4QS. 1:00pm. Free.

Evening

?????

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To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Sunday, May 07, 2017

Denys Baptiste's The Late Trane @ Pizza Express Stage, Cheltenham Jazz Festival - May 1

Denys Baptiste (sax), Nikki Yeoh (keyboards), Neil Charles (bass), Rod Youngs (drums), + Steve Williamson (sax). 
(Review by Steve T)
I'm not really a fan of late John Coltrane but, according to DSI Russell of the JP, not listening to it is, if not illegal then immoral, and I'm not one to fail to conform to the dominant belief systems of the day. I certainly consider it required listening but maybe only a couple of plays, which I suppose makes me a fan of sorts.
I should probably confess I'm not a great fan of early Trane either, but for a brief time after Giant Steps and before Love Supreme he made some of the greatest music the world has yet heard, which for me puts him second only to Miles in Jazz.
Furthermore, Baptiste is among the greatest saxophonists this country has ever produced and all of his previous albums are worth checking, particularly his debut, featuring a more uptempo version of Naima. 
A few years back he brought his Let Freedom Ring, commissioned by Cheltenham, to Sage Gateshead but it was poorly attended and this wasn't as well attended as it should have been either; which on both occasions, was their loss.
Introductions out of the way, Living Space opened things up, some echo on his sax, great building from piano and drums, a relentless bass behind until sax came back in blazing.
Dusk Dawn was followed by Ascent from Kulu se Mama, Charles playing bowed, but the sax sounded synthetic, though the electric piano followed by a Hammond sound worked for me, but the synthesizer didn't. I've heard Trane played on synthesizer before and that didn't work either.
Peace on Earth featured just sax and keys before the leader really nailed the Trane sax sound on After the Rain. 
He then invited Steve Williamson, who he described as a major influence, to join him for some tenor madness (my words, not his) on Transition followed by Vigil, some spacey sounds coming from Yeoh, who now seemed to be playing laptop as well, before a lengthy, hard-hitting solo from Baptiste, the effects now working for me, and providing great contrast with Williamson playing his equally fine solo straight. 
Baptiste came back in, the two playing in sync, then weaving in and out with some note perfect interaction bringing the set, and my Cheltenham ‘17 to a resounding close.
There's an album out in June (though I bought it at the festival) and this may be a more accessible way into this difficult, challenging music. This was easily the best of the six gigs I saw over two days at Cheltenham, and probably the only one which will feature in my gigs of the year. He's taking it on tour though sadly not to the North East, but like the albums it's based on, it's essential; sort of.
Steve T

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Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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