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Bebop Spoken There

Don Rendell: "It was about the time that the organ-type piano attachment - the clavioline - was invented. And the poster billing at one place where we played up north announced proudly, but erroneously: "The Johnny Dankworth Seven, featuring Frank Holder and the cleolaine" " - (www.jazzprofessional.com, December 2001).

Mary Lou Williams: “...it was discovered I possessed perfect pitch. Rumour of this oddity spread throughout the school, and pupils would drop pots and pans and other loud objects, asking 'What note, Mary?' (Melody Maker, 1954).

Today Friday May 25

Afternoon

Rendezvous Jazz - Monkseaton Arms, Front Street, Monkseaton NE25 8DP. Tel: 0191 251 3928. 1:00pm. Free.

Swing Manouche - Bishop Auckland Town Hall, Market Place, Bishop Auckland DL14 7NP. Tel: 03000 269 524. 1:00pm. £5.00.

Evening

Jerron ‘Blind Boy’ Paxton - Sage Gateshead. 7:45pm. £15.30. NRFH. Solo blues, multi-instrumentalist, influences include Fats Waller & Blind Lemon Jefferson.

Shatner’s Bassoon - Jazz Café, 25 Pink Lane, Newcastle NE1 5DW. 8:00pm. £8 (£6 in advance).

Hand to Mouth (Lindsay Hannon & Bradley Johnston) - Vicolo: Live in the Lane, Tyneside Cinema, Pilgrim Street, Newcastle NE1 6QG. 8:00pm. Free.

Baghdaddies - Spanish City Plaza, Whitley Bay NE26 1BG. 6:00pm. Online booking: £10.00. + £1.37 booking fee. The Whitley Bay Carnival ‘Big Ball’ featuring debut of the Baghdaddies’ big band line-up.

Nick Pride & the Pimptones - Cumberland Arms, James Place Street, Byker, Newcastle NE6 1LD. Tel: 0191 265 6151. 6:00pm. Free.

Swamp Hoppers - Billy Bootleggers, Nelson St, Newcastle NE1 5AN. 9:00pm. Free.

Steve Bone - Al Forno, 81 Skinnergate, Darlington DL3 7LX. 7pm.

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Monday, May 29, 2017

CD Review: Talinka (Fanfare FJ1701)

Gilad Atzmon (bass clarinet, sorprano sax, accordian and classical guitar); Tali Atzmon (vocal); Jenny Bliss Bennett (viola da gamba); Yaron Stavi (bass) + Frank Harrison (piano); Enzo Zirilli (perc).
(Review by Peter Jones)
Although far less well-known than her multi-instrumentalist husband Gilad, Tali Atzmon deserves better recognition for the quality of her writing and singing on this debut album of the group that includes both of them, along with Jenny Bliss Bennett on the baroque instrument the viola da gamba, and Yaron Stavi on double bass. Not included in the live line-up but heard occasionally on the album are pianist Frank Harrison and percussionist Enzo Zirilli.
Musically, Talinka follow a similarly winding path to the one trodden by Gilad over the years; it’s the sound of people around the world who have had a hard time of it - keening, remorseful music, but full of beauty. On the sweet, gentle title track, Tali sings wordlessly in the style of the Brazilian Minas Gerais region. More typical perhaps is Tali’s composition Losing Vision, a song about refugees, on which she is backed only by bass clarinet, bowed viola da gamba and bass. Her other two tunes – When You’re Gone and Every Now And Then – are among the strongest on the album. 

The jazz standards are not neglected: that icon of passive suffering, Billie Holiday, is represented by Don’t Explain, whilst a similar mood is evoked by Gene de Paul’s You Don’t Know What Love Is. Invitation, with its sinuous, hard-to-sing melody, sounds Brazilian but is really of Polish origin, like its composer. Here it’s rendered as a tango (so now we’re in Argentina), with middle-eastern soprano sax thrown in. We hear the tango again on Gilad’s composition Four 2 Tango, with another beautiful, wordless melody, plus some rather alarming vocal improvisation.

It all sounds like a recipe for musical chaos, especially with no drummer, so why does it work? The answer, I think, is that the band doesn’t care about musical, historical or international boundaries. They play what sounds good.
Peter Jones
The tour continues intermittently over the next few weeks, with gigs at Oswestry (3 June), Felixstowe (4 June), Posk, London (24 June) and Cheadle Hulme (20 July).

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Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to them all other than those we are able to answer with a positive response.
Similarly, CDs received by post will only be considered if accompanied by sufficient background material.
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Lance

About this blog - contact details.

Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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