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Bebop Spoken There

Jim Hall: "Won't play loud, can't play fast" - (From one of the great guitarist's business cards brought to our attention by Roly Veitch).

Joel Harrison: “It’s incredibly hard to play bebop on guitar, harder than on saxophone.” – (Jazz Times August 2015)

Today Wednesday June 28

Afternoon.
Vieux Carre Jazzmen - Crescent Club, 1 Hudleston, Cullercoats NE30 3OS. 1pm. Free.
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Evening.
Take it to the Bridge - The Globe, 11 Railway St., Newcastle NE4 7AD. £1. 8pm.
Chris Sharkey Trio - Jazz Café. 25 Pink Lane, Newcastle NE1 5DW. 8pm. £5/Students free - voluntary donation.
Levee Ramblers NOJB - Springwell Village Community Venue, Fell Road, Springwell, Gateshead NE9 7RP. 8:30pm. £3.00.
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To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Thursday, May 25, 2017

CD Review: NYSQ - Sleight of Hand

Tim Armacost (tenor/soprano); David Berkman (piano); Daiki Yasukagawa (bass); Gene Jackson (drums).
(Review by Lance).
Another gem from Michael Janisch's  Whirlwind Recordings. And a 9 carat gem it is too! 
Mal Waldron's classic Soul Eyes kicks things off. Armacost is my kind of tenor player playing with a fluency that matches any of his historically better known predecessors. Chorus after chorus he soars, flying high, each one better than the one before then it's over, 'cept it isn't. Berkman takes control and the tension doesn't flag, Yasukagawa doesn't drop the baton either.
Wow! And this is just the first track.
As the band name implies (New York Standards Quartet) this isn't a self-indulgent collection of'originals' penned by some callow youth, but a choice selection of not overworked themes.
Ask me Now - my favourite of all the Monk ballads I've heard - moves along a tad faster than is usual for this most wonderful of tunes and is nicely taken out by Jackson who display's his prodigious technique as the track fades...
In a Sentimental Mood is another fave of mine - if, in the unlikely scenario of Armacost phoning me from New York and asking me to suggest some standards for his forthcoming album, the chances are we'd concur on at least 50% of the choices. Certainly on this one.
Sleight of Hand is a different circle of fifths. An 'original' by Berkman it is described as an irresistibly playful take on But Not For me. Can't argue with that! 
I Fall in Love Too Easily - maybe I do as I'm rapidly falling in love with this album! Armacost on soprano plays scant regard to the melody yet it is always there with the rhythm guys huffing and puffing behind him adding to the overall before fading gently in love like me.
This I Dig of You. Hank Mobley's masterpiece is given a work out that I'm sure the composer would have given the thumbs up to. The double bass intro also earned a few [Ray] Brownie points. As always, the tenorman takes it up, down and round about whilst Berkman makes me think I'd like a trio album by him. Then Jackson boots it home.
Detour Ahead's a number many chanteuses have done proud although, apparently Herb Ellis, the composer, made the definitive version. Well I haven't heard Herb's recording so, until then, this will do for me!
Lover Man. Forget the poignant emotive versions of this tune by Parker, Billie, Sarah and others. Berkman and Armacost aren't tender lover men they're virile studs strutting their stuff - vestal virgins stay indoors tonight don't go near the coast! (apologies for sexist remark).
Can't recommend this too highly!
Lance.
Whirlwind Recordings WR4704.

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Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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