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Bebop Spoken There

Buddy Rich: "You either swing a band or you don't swing a band - (Metronome April 1956).

Sinclair Traill: “Well I don't think he (Chet Baker) can sing either.” – (Jazz Journal August 1956).

Submissions for review

Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to them all other than those we are able to answer with a positive response.
Similarly, CDs received by post will only be considered if accompanied by sufficient background material.
Finally, bear in mind that this is a jazz-based site when submitting your album.
Lance

Today Wednesday December 13

Afternoon

Vieux Carre Jazzmen - Crescent Club, 1 Hudleston, Cullercoats NE30 3OS. 1pm. Free.

Brief Encounter - Vault, Hallgate, Hexham NE46 1XD. Tel: 01434 603884. 2:00pm. £7.50. advance. ‘’60’s Jazz’

Interim Recitals (Final Year Music Students) - Band Room, Music Studios, Assembly Lane, Newcastle University NE1 7RU. Inc. Harry Still (drums) 9:30am., Jimmy Jefford (saxophone) 11:15am. Free.

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Evening

Take it to the Bridge - The Globe, 11 Railway St., Newcastle NE4 7AD. £1. 8pm.

Billy's Acoustic Blues - Billy Bootleggers, 28 Nelson St., Newcastle NE1 5AN. 9pm. Free (weekly).

The Village Hall New Orleans Band - Springwell Village Community Venue, Fell Rd., Gateshead NE9 7RP. 8:15pm. £3.

Darlington Big Band - Darlington & Simpson Rolling Mills Sports & Social Club, Longfield Road, Darlington DL3 0HX. Tel: 01325 380401. 8:00pm. Free.

Swing Street - Pier Red, 27 Castlegate, Berwick upon Tweed TD15 1LF. Tel: 01289 309168. 8:00pm. Free.

Improvisers' Workshop Ensemble - Great North Museum: Hancock, Barras Bridge, Newcastle NE2 4PT. 6-8pm. Free.

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To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Thursday, April 06, 2017

GIJF Day 3:John Pope Quintet @ Sage Gateshead - April 2

John Pope (bass), Jamie Stockbridge (alto), Faye  MacCalman   (tenor), Graham Hardy (pocket trumpet), Johnny Hunter (drums).
(Review by Steve T)
Having missed them at the Bridge last summer, this was a major fixture in the program for me, without which the Festival would likely have become two gigs over consecutive nights, which isn't that unusual at Sage Gateshead where I often spend three or four consecutive nights.
Coincidentally, Ornette Coleman's Shape of Jazz to Come is on number one son's listening list so, not having heard it for many years, I bought us each a copy. Like probably many others, I saw the great man in Sage One shortly after returning to the North East, which I expected to be an act of homage but was actually excellent, despite being younger and (even) less responsible - I think I may have nodded off during a pocket trumpet or violin part.
Although I wouldn't cite Ornette as an all-time favourite, I consider the initial breakthrough period as essential listening for any Jazz enthusiast with an interest in free, adventurous, innovative, challenging music - oh I'm sorry, I've just quoted Martin’s Listening to the Future by mistake (the Alan Barnes ones are the best).
It was a short set of just four pieces, including two from the aforementioned album, and a reminder of one of the great ironies and contradictions of Ornette, that he had a fantastic flair for melody.
Graham Hardy demonstrated why he's the first choice trumpet player for many in the North East. Jamie Stockbridge on alto was clearly an important component and rose to the challenge impeccably. Faye is at the forefront of TNG in North East Jazz, and Trekkies will know what that means and the rest may work it out - no passive reporting on BSH. She's a favourite of Jazz North East, (who did a splendid job putting the afternoon on), and you can hear why. Johnny Hunter on drums was a new name to me (I think and apologies if not) and I understand there's a Leeds or Manchester connection, but he could just as easily been dipped in the Tyne by his mam as a bairn, where we only produce top drawer drummers.
It's hard to think how anybody other than a sax player could lead a band dedicated to the music of Ornette, but there's no doubt at all who's in control of this, the horns watching him closely, providing a rock solid foundation with outstanding musicianship and stretching something already stretched beyond capacity into new musical terrain.
I missed a set I'd paid good money for to watch this and I'm satisfied it was a good call.
Steve T.

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Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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