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Bebop Spoken There

Wayne Escoffery: "My philosophy is keeping one foot in the past and one foot in the future" - DownBeat March 2018.

Scott Bradlee: “When audiences hear it [Sweet Child O’ Mine] there’s a lightbulb moment when they recognise the song’s hook, even though it’s in a different context. They’re so used to hearing it one way that it causes some cognitive dissonance. If it’s a song they’ve disparaged in the past and they now find themselves liking it, that’s really interesting to me” DownBeat March 2018.

Today Monday February 19

Afternoon.

Jazz in the Afternoon - Cullercoats Crescent Club, 1 Hudleston, Cullercoats NE30 4QS. Tel: 0191 253 0242. 1:00pm. Free.

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Monday, April 24, 2017

CD Review: Louis Sclavis, Dominique Pifarely and Vincent Courtois - Asian Fields Variations .

Louis Sclavis (clarinets), Dominique Pifarely (violin), Vincent Courtois (cello).
(Review by Steve T).
What ECM do consistently well is mix Jazz with classical music and this is no exception, but rather than being Jazz with a hint of classical, it's more classical with a bit of Jazz, particularly on Asian Fields, with impressive solos on clarinet and violin, though this is by no means stronger than the rest of the album.
Arriving at Jazz through Black American Music, my interest in classical music is minimal, restricted to a few composers, though French composers are amongst my favourites, and generally an orchestra rather than a smaller ensemble. Clarinet, violin and cello suggests chamber music but Sclavis claims there's more to it than that and I tend to agree.
The three of them have played together as duos, a trio and part of larger ensembles since 1987. As a trio they re-launched in 2015 at the Vaulx Jazz Festival near Lyon, indicating that Jazz is viewed very differently on the continent as much as the eclecticism of Jazz Festivals nowadays.
The album is consistently good throughout, a view shared by my various passengers through its regulation three spins, but I doubt I'll pull it out again, which doesn't have to be a bad thing.
If this is how you like your Jazz, or for that matter your classical, it's been out since March.
Steve T.
Hugh's link (see comments).

2 comments :

Hugh said...

Nice review, Steve. IIRC, Lance gave me one of his CDs to review a few years ago - sounds in a similar vein. I was listening recently to last weeks "Jazz Now" on catch-up and in an interview John Etheridge made some interesting comments regarding the ECM sound. You can catch it here http://www.bbc.co.uk/programmes/b08mdcj4 at about 59:30

Steve T said...

Thanks Hugh, I'll give it a listen. Number one wife may or may not let me go to see Etheridge with Soft Machine this sat (make no mistake, I'm the boss). Should be interesting with the recent death of another one time Softs guitarist Allan Holdsworth.
I've seen Etheridge doing Zappa, Django and Hendrix with Nigel Kennedy and classical with John Williams so he's pretty versatile.
Last time I saw another great British guitarist - Jim Mullen - he was less than complimentary about ECM.

Blog Archive

Submissions for review

Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to them all other than those we are able to answer with a positive response.
Similarly, CDs received by post will only be considered if accompanied by sufficient background material.
Finally, bear in mind that this is a jazz-based site when submitting your album.
Lance

About this blog - contact details.

Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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