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Bebop Spoken There

More from Jazz Monthly:

John Postgate: "Oscar Peterson played a good solo in 1954..." - (Jazz Monthly August 1960)

Bill Evans: "A composer writes something, and an orchestra interprets it--he spends maybe six months writing 10 minutes of music, but a jazz musician spends 10 minutes of playing 10 minutes of music, and he performs it himself". - (Jazz Monthly July1960).

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Today Friday October 20

Afternoon
Rendezvous Jazz - The Monkseaton Arms, Front St., Monkseaton, Whitley Bay NE25 8DP. 1pm. Free.

Hand to Mouth: Lindsay Hannon & Bradley Johnston - Bishop Auckland Town Hall. 1:00pm. £5.00.

Vasilis Xenopoulos & Paul Edis - Lit & Phil, 23 Westgate Rd., Newcastle NE1 1SE. 1:00pm. £5.00.

Evening
Julija Jacenaite & Alan Law - Jazz Café, 25 Pink Lane, Newcastle NE1 5DW. 9pm. Free.

King Bees - Billy Bootleggers, 28 Nelson St., Newcastle NE1 5AN. 9pm. Free.

Vasilis Xenopoulos & Nigel Price w Paul Edis Trio - Traveller’s Rest, West Auckland Road, Cockerton, Darlington. DL3 9ER. 8:30pm. £10.00. Opus 4.

Hot 8 Brass Band - Northumbria Students’ Union, Sandyford Road, Newcastle NE1 8SB. Tel: 0191 227 4757 (SU enquiries). 7:30pm. £20.35.

Twin Beam - Hidden Heights Creative Studio, Brandling Street, Gateshead NE8 2BA. 6:30pm. Tickets: £5.00. in advance from Arch 16 Café (next to High Level Bridge). An Oxjam Gateshead Bridges Quarter event. Multi bill, multi venue.

Beth Macari - Prohibition Bar, Brandling Street, Gateshead NE8 2BA. 6:30pm. Tickets: £5.00. in advance from Arch 16 Café (next to High Level Bridge). An Oxjam Gateshead Bridges Quarter event. Multi bill, multi venue.

Sting - Bamburgh Castle. 7:15pm. Tickets: £250.00. & £150.00. Acoustic. Charity gig.

Steve Bone - Al Forno, 81 Skinnergate, Darlington DL3 7LX. 7pm.

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Tuesday, April 11, 2017

Big Bad Wolf @ Bridge Hotel, Newcastle. April 9. Jazz North East.

Rob Luft (guitar, vocals), Owen Dawson (trombone, synthesizer, vocals), Michael de Souza (Fender bass 6, vocals), Jay Davis (wonderfully coloured drums).
(Review by Steve T/Photo courtesy of Ken Drew).
When Steve Hackett auditioned for Genesis, Gabriel (Peter) noted that all the guitarists coming through were about 'flash', while Steve was more about colours. There was ample evidence here of the flash that Luft is more than capable of (as was Hackett), but it was sparse and tastefully spread over the two sets, with more multi colors than Saturday morning TV in the 1970’s.
Luft made the announcements, advising that they record themselves improvising, cut it up and play it with virtually no improvising; what he likes to call Reverse Jazz.
Each of them, apart from the drummer, did some singing, some with lyrics and some without, occasionally a little like the efforts of Tony Williams and Stanley Clarke in the early days of fusion, but had it been 1972, white British musicians making this music would have gone straight to the prog rock camp. Think Pink Floyd with a kick-ass drummer, a brilliant guitarist and a pair of b^!!$.  
As a technophobe, the stacks of pedals sometimes seem as difficult to manage as playing the instruments, but there was plenty of musicianship on show from all concerned.
Drummer Jay Davis playing masterful syncopation through multiple shifts in pace and time signatures.
Owen Dawson playing the ‘bone mostly for melody and atmosphere, until the final piece where he took an impassioned solo, the longest of the set and the only one to draw applause, but it's often the case in this type of setting that solos and their endings are difficult to pin down; the old Weather Report idea of we never solo we always solo.
Michael de Souza played a Fender bass 6 which enabled him to slip seamlessly between bass, rhythm and a fine lead part during the penultimate track.
Luft took two sublime solos during set one and his rhythm and comping was immaculate throughout. I hoped he would follow the trombone solo with a barnstorming solo to finish, but he went for jouissance which worked for me, while leaving me wanting more. Maybe next time he'll bring a trio which will be amazing in a different way.
I tend to make a note of appropriate guitar names and get into bother for always including Metheny, but we agreed on Mike Walker and Steve Howe, while FDT suggested Alan Holdsworth, prog turned Jazz rocker, former Level 42er who some consider the greatest ever.
There were overt influences from Brazil, some ambience and some strikingly beautiful soundscapes in a set drawn mostly from the imminent album which, unless you hate this strand of Jazz, I strongly recommend you give a listen to.
A couple of dozen made this the busiest I've ever seen it and great to see a number of young people, including some females but don't worry, the boys were far more afraid of them than they were of the boys.
Steve T.

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Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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