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Bebop Spoken There

Don Rendell: "It was about the time that the organ-type piano attachment - the clavioline - was invented. And the poster billing at one place where we played up north announced proudly, but erroneously: "The Johnny Dankworth Seven, featuring Frank Holder and the cleolaine" " - (www.jazzprofessional.com, December 2001).

Mary Lou Williams: “...it was discovered I possessed perfect pitch. Rumour of this oddity spread throughout the school, and pupils would drop pots and pans and other loud objects, asking 'What note, Mary?' (Melody Maker, 1954).

Today Friday May 25

Afternoon

Rendezvous Jazz - Monkseaton Arms, Front Street, Monkseaton NE25 8DP. Tel: 0191 251 3928. 1:00pm. Free.

Swing Manouche - Bishop Auckland Town Hall, Market Place, Bishop Auckland DL14 7NP. Tel: 03000 269 524. 1:00pm. £5.00.

Evening

Jerron ‘Blind Boy’ Paxton - Sage Gateshead. 7:45pm. £15.30. NRFH. Solo blues, multi-instrumentalist, influences include Fats Waller & Blind Lemon Jefferson.

Shatner’s Bassoon - Jazz Café, 25 Pink Lane, Newcastle NE1 5DW. 8:00pm. £8 (£6 in advance).

Hand to Mouth (Lindsay Hannon & Bradley Johnston) - Vicolo: Live in the Lane, Tyneside Cinema, Pilgrim Street, Newcastle NE1 6QG. 8:00pm. Free.

Baghdaddies - Spanish City Plaza, Whitley Bay NE26 1BG. 6:00pm. Online booking: £10.00. + £1.37 booking fee. The Whitley Bay Carnival ‘Big Ball’ featuring debut of the Baghdaddies’ big band line-up.

Nick Pride & the Pimptones - Cumberland Arms, James Place Street, Byker, Newcastle NE6 1LD. Tel: 0191 265 6151. 6:00pm. Free.

Swamp Hoppers - Billy Bootleggers, Nelson St, Newcastle NE1 5AN. 9:00pm. Free.

Steve Bone - Al Forno, 81 Skinnergate, Darlington DL3 7LX. 7pm.

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Friday, March 25, 2016

Not Now Charlie @ The Globe - March 24

Jamie Toms (tenor saxophone), Pawel Jedrzejewski (guitar), Richard Campbell (piano), Liam Gaughan (bass) & Dave McKeague (drums).
(Review by Lance).
A few diehards plus family and friends made up the core of the audience for this Jazz Coop gig - perhaps the outbreak of Lazyitus that Patti referred to in a previous post is turning into an epidemic of pandemic proportions. Those who weren't present last night should contact their GP immediately. Oh no! They can't - it's Good Friday!
Those who were present heard some excellent original material. Contemporary without being extreme.
The strangely named quintet hit the deck running on a strangely named composition - MCT. Composer Toms blew a marathon tenor solo of Gonsalves-like longevity. A sticky G# key notwithstanding, this was the business. Bass guitar and guitar kept the ball in play driven forward by McKeague's forceful drumming and Campbell's frenetic 'comping' this set a high benchmark; not just for themselves but for any band.
Several numbers were from the band's recent album and others were even newer. Some had been played at previous gigs and some hadn't.
Physical featured Toms' Coltranic tenor as well as wild guitar thrashing from Pawel J. Russian Girl Who Speaks English began with a gentle, probing intro from guitar and piano although it didn't stay that way for long!
Floating High, by pianist Campbell was something to behold. Ostensibly in 3 or was it 6 or 27? I wasn't counting just enjoying the triplicity of the meter.
Telling Tales, inexplicitly, had the feel of a cèilidh band who'd od'd on poteen. Possibly the best number of the evening. It's Not me it's You featured Dave McKeague. The north east has a plethora of ace skin men at present and Dave is right up there with them.
And so the evening rolled on. Superb playing by all five. This is a band to catch again and again, unlike the number 12 bus*
Lance.
*I had to forego the last couple of numbers in order to catch the number 12 due at 22:34. It was on time but, despite my outstretched hand, failed to stop. Now I'm all in favour of equal opportunities for the blind but, as bus drivers?

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Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to them all other than those we are able to answer with a positive response.
Similarly, CDs received by post will only be considered if accompanied by sufficient background material.
Finally, bear in mind that this is a jazz-based site when submitting your album.
Lance

About this blog - contact details.

Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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