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Bebop Spoken There

Don Rendell: "It was about the time that the organ-type piano attachment - the clavioline - was invented. And the poster billing at one place where we played up north announced proudly, but erroneously: "The Johnny Dankworth Seven, featuring Frank Holder and the cleolaine" " - (www.jazzprofessional.com, December 2001).

Mary Lou Williams: “...it was discovered I possessed perfect pitch. Rumour of this oddity spread throughout the school, and pupils would drop pots and pans and other loud objects, asking 'What note, Mary?' (Melody Maker, 1954).

Today Friday May 25

Afternoon

Rendezvous Jazz - Monkseaton Arms, Front Street, Monkseaton NE25 8DP. Tel: 0191 251 3928. 1:00pm. Free.

Swing Manouche - Bishop Auckland Town Hall, Market Place, Bishop Auckland DL14 7NP. Tel: 03000 269 524. 1:00pm. £5.00.

Evening

Jerron ‘Blind Boy’ Paxton - Sage Gateshead. 7:45pm. £15.30. NRFH. Solo blues, multi-instrumentalist, influences include Fats Waller & Blind Lemon Jefferson.

Shatner’s Bassoon - Jazz Café, 25 Pink Lane, Newcastle NE1 5DW. 8:00pm. £8 (£6 in advance).

Hand to Mouth (Lindsay Hannon & Bradley Johnston) - Vicolo: Live in the Lane, Tyneside Cinema, Pilgrim Street, Newcastle NE1 6QG. 8:00pm. Free.

Baghdaddies - Spanish City Plaza, Whitley Bay NE26 1BG. 6:00pm. Online booking: £10.00. + £1.37 booking fee. The Whitley Bay Carnival ‘Big Ball’ featuring debut of the Baghdaddies’ big band line-up.

Nick Pride & the Pimptones - Cumberland Arms, James Place Street, Byker, Newcastle NE6 1LD. Tel: 0191 265 6151. 6:00pm. Free.

Swamp Hoppers - Billy Bootleggers, Nelson St, Newcastle NE1 5AN. 9:00pm. Free.

Steve Bone - Al Forno, 81 Skinnergate, Darlington DL3 7LX. 7pm.

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Wednesday, March 30, 2016

CD Review: Graeme Wilson Quartet – Sure Will Hold a Boat

Graeme Wilson (tenor saxophone), Paul Edis (piano), Andy Champion (double bass) & Adam Sinclair (drums)
(Review by Russell)
Graeme Wilson made his home on Tyneside for several years during which time he made a considerable impact on the local music scene. A founding member of GIO – the hugely influential Glasgow Improvisers Orchestra – Wilson’s involvement in numerous regional projects has left a lasting legacy. First heard as accompanist to vocalist Ruth Lambert, an array of key jobs soon came his way; the tenor chair in Voice of the North Jazz Orchestra (composing and arranging for the band and John Warren’s group), an original member of the superb saxophone quartet Saxophonics, gigging and recording with Andy Champion’s ACV and running his own band. His band – the Graeme Wilson Quartet – continues to perform and record. Sure Will Hold a Boat is Wilson’s latest CD and it’s a gem.
Wilson’s tenor playing is never less than commanding. A cast iron technique and mature tone mark out the Scot’s sound from most other tenor players. Searchlight Nevada opens the album. A tale – a fanciful tale? – about John Coltrane getting lost in the desert rips it up. The leader’s band mates are first call musicians. Pianist Paul Edis wears many hats – composer/arranger, big band MD, educator, recording artist. Bassist Andy Champion can be said to have a similar, busy schedule and drummer Adam Sinclair finds time to play in a number of bands when he isn’t in the studio working as a successful engineer/producer.  
Stellar playing from all concerned, the standard set, it’s as good as this throughout.
Nine tracks, all composed by Wilson, were recorded in the Reid Concert Hall, Edinburgh in May 2015. Some of the tunes will be familiar to gig-goers in the north east and further afield. The Sycamore and The New Wallaw were vehicles for Voice of the North (an Arts Council-funded outfit and the brainchild of Adrian Tilbrook). The compositions emerged from a Rednile project based around a closed, decaying cinema in once prosperous Blyth, a south east Northumberland town servicing the northern coalfields. The Sycamore refers to a tree taking root in the crumbling brickwork of the Art Deco building. The companion piece – The New Wallaw – bristles with optimism. Little did Wilson know that a well-known pub chain, noted for renovating and reviving some of the more interesting buildings on our high streets, would rescue the building!
Five Floors Up closes the album. Repeated listening has elevated this tune to the top of a long list of favourites. Taken at a leisurely tempo, the tenor playing is masterful, as is the piano playing. Bass and drums (Sinclair’s brushes) take it out to the accompaniment of a whistling Wilson.     
Sure Will Hold a Boat should be on any jazz fan’s ‘must have’ list of CDs. In a star rating system of 1-5 Sure Will Hold a Boat scores 6. Graeme Wilson Quartet Sure Will Hold a Boat (GBWQ002) is available now. Visit: www.graemebwilson.co.uk 
Principal CD credits: Adam Sinclair engineer, Kevin Hay assistant engineer.
Adam Sinclair mixing and mastering, Cath Reay cover photography, Lindsay Duncanson band photography.
Russell
The Graeme Wilson Quartet’s next gig on Thursday 31 March at the Davenham Theatre, Nantwich, Cheshire starts at 8:00pm. Highly recommended. Take home a CD. 

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Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to them all other than those we are able to answer with a positive response.
Similarly, CDs received by post will only be considered if accompanied by sufficient background material.
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Lance

About this blog - contact details.

Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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