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Bebop Spoken There

Alicia Hall Moran: “I would go to hear Jason's band play and I'd say "Y'all hot!" But they came out wearing these casual, saggy outfits, putting music out with these not-attractive outfits like they were going on interviews for jobs they didn't want.” – (DownBeat May 2018).

Shabaka Hutchings: “You have to get the funding to come here [New York], and then there's getting the proper visa to play, which costs more than we get paid.” – (DownBeat May 2018).

Today Thursday April 19

Afternoon

Vieux Carré Jazzmen - Holystone, Whitley Road, Holystone NE27 0DA. Tel: 266 6173. 1:00pm. Free.

Student Performances - King’s Hall, Armstrong Building, Queen Victoria Road, Newcastle University NE1 7RU. 4:00pm. Free admission. Performers include Ada Francis (voice); Simon Hirst (trombone) & Harry Still (drums).

Tees Valley Jazzmen - White Horse Hotel, Burtree Lane, Harrowgate Hill, Darlington DL1 3AD. Tel: 01325 463262. 1:30pm. Free.

Evening

Paul Edis Trio - St James’ & St Basil’s Church, Fenham, Newcastle NE4 9EJ. 7:30pm. £6.00.

Indigo Jazz Voices - The Globe, Railway Street, Newcastle NE4 7AD. 7:30pm. £5.00. Vocalists with Alan Law Trio.

Ada Francis & the Italic Quartet - Las Iguanas, Grey Street, Newcastle NE1 6AF. Tel: 0191 232 9729. 7:30pm. Fortnightly restaurant residency.

Maine St. Jazzmen - Sunniside Social Club, Holywell Lane, Sunniside, Gateshead NE16 5NJ. 8:30pm. Free.

The Strictly Smokin' Sessions - Jazz Café, 25 Pink Lane, Newcastle NE1 5DW. 8:15pm. £8 (£6 conc.). JNE. Small groups from SSBB.

New Orleans Preservation Jazz Band - Oxbridge, Oxbridge Lane, Stockton on Tees TS18 4AW. 8:30pm.

Tees Hot Club Guest Band Night w. Paul Donnelly Trio - Dorman’s Club, Oxford Road, Middlesbrough TS5 5DT. Tel: 01642 823813. 9pm. Free. Donnelly (gtr); Stu Collingwood (keys); Paul Smith (dms).

Jazz Night - Musiclounge, 21 Yarm Lane, Stockton TS18 4DR. Doors 7:00pm.

Ubunye - Whorlton Village Hall, Barnard Castle DL12 8XD. 7:30pm. Tel: 01833 627253. £10.00. (£5.00. child, £25.00. family).

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Friday, February 12, 2016

CD review: Aruán Ortiz Trio - Hidden Voices

(Review by Alan Law.)
This is a new piano trio album from the Cuban born pianist, violinist composer and arranger Aruán Ortiz .joining him on bass is Eric Revis is and Gerald Cleaver drums.
All new names to me, but a cursory look on Google revealed Ortiz has written music for jazz ensembles, orchestras, dance companies, chamber groups, and feature films. His work incorporates influences from contemporary classical music, Cuban-Haitian rhythms, and avant-garde improvisation
On the composers website there is reference to a recent project in which non musical patterns and ideas were explored as fuel for improvised music.
This may explain some of the titles of the original compositions, which frequently refer to mathematical concepts.
Fractal Sketches starts with a dissonant grooving pattern, augmented by a dramatic percussive left hand with scurrying bass and drums, Open And Close /The Sphinx an Ornette Coleman tune, imaginatively re-interpreted with a cool bass figure periodically giving way to bright classical sounding passages Carribean Vortex/Hidden Voices begins with an unfamiliar clave pattern that becomes a percussion conversation, and the rhythmic drive continues when the trio begin. There is some dissonance involved, however, the pedal point and strong rhythm holds the listener well.
Analytical Symmetry intensity in one area is offset by the other players in this brooding exploration.
Arabesques of a Geometrical Rose (Spring) a spacious meditative piano solo with some gently mind expanding harmonic contrary motion.
Arabesques of a Geometrical Rose (Summer) a compelling hypnotic bassline underscores this very different take on the subject matter.
17 Moments of Liams Moments (or 18) is a brief composition that manages to sound avant garde yet structured, and is curiously evocative.
Joyful noises is a collective textural improvisation, punctuated by occasional timed bold chords. The Monk standard Skippy follows, the theme is there but has been deconstructed and re wrought by this masterfully creative trio.
Uno Dos Tres , Que Paso , is a solo piano piece and the last tune on the album.
It has a simple memorable melody (you can hear the rhythm of the title syllables throughout) that serves as a basis for a beautifully contemplative exposition.
The listening warranted time and my best stereo set up, it’s not something I could get into in the car, but I found it extremely rewarding when I gave the attention it warranted.  
The album is well recorded with a great sounding piano in particular, and if your ear can handle a bit of dissonance there is something deeply impressive here.
The improvised passages are marked by a commitment to the total sound of the music, as well as weapons grade virtuosity, and the effect is a sense of instant composition and arrangement, which is very satisfying in itself. However, I also found myself very engaged emotionally and rather touched on several occasions.
Imaginative, cerebral and very emotionally engaging, I found this a serious, and seriously good, contemporary jazz album.
Alan.
Aruán Ortiz Trio - Hidden Voices is available on Intakt Records.

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Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to them all other than those we are able to answer with a positive response.
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Lance

About this blog - contact details.

Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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