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Bebop Spoken There

Don Rendell: "It was about the time that the organ-type piano attachment - the clavioline - was invented. And the poster billing at one place where we played up north announced proudly, but erroneously: "The Johnny Dankworth Seven, featuring Frank Holder and the cleolaine" " - (www.jazzprofessional.com, December 2001).

Mary Lou Williams: “...it was discovered I possessed perfect pitch. Rumour of this oddity spread throughout the school, and pupils would drop pots and pans and other loud objects, asking 'What note, Mary?' (Melody Maker, 1954).

Today Friday May 25

Afternoon

Rendezvous Jazz - Monkseaton Arms, Front Street, Monkseaton NE25 8DP. Tel: 0191 251 3928. 1:00pm. Free.

Swing Manouche - Bishop Auckland Town Hall, Market Place, Bishop Auckland DL14 7NP. Tel: 03000 269 524. 1:00pm. £5.00.

Evening

Jerron ‘Blind Boy’ Paxton - Sage Gateshead. 7:45pm. £15.30. NRFH. Solo blues, multi-instrumentalist, influences include Fats Waller & Blind Lemon Jefferson.

Shatner’s Bassoon - Jazz Café, 25 Pink Lane, Newcastle NE1 5DW. 8:00pm. £8 (£6 in advance).

Hand to Mouth (Lindsay Hannon & Bradley Johnston) - Vicolo: Live in the Lane, Tyneside Cinema, Pilgrim Street, Newcastle NE1 6QG. 8:00pm. Free.

Baghdaddies - Spanish City Plaza, Whitley Bay NE26 1BG. 6:00pm. Online booking: £10.00. + £1.37 booking fee. The Whitley Bay Carnival ‘Big Ball’ featuring debut of the Baghdaddies’ big band line-up.

Nick Pride & the Pimptones - Cumberland Arms, James Place Street, Byker, Newcastle NE6 1LD. Tel: 0191 265 6151. 6:00pm. Free.

Swamp Hoppers - Billy Bootleggers, Nelson St, Newcastle NE1 5AN. 9:00pm. Free.

Steve Bone - Al Forno, 81 Skinnergate, Darlington DL3 7LX. 7pm.

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Sunday, November 23, 2014

Jazz Coop At The Globe: Folk Meets Jazz: Saturday Nov 22

Landermason : Fiona Lander ( vocals, keys, saxes, clarinet, whistles, even a shakey egg);
Paul Mason (vocals, guitar).
(Review by Ann Alex).
This event was something of an adventurous experiment to combine jazz with folk music, and it worked folks!  A double header with Landermason playing the first set, with their blend of traditional and contemporary folk, jazz, and other styles, such as a touch of ska on the guitar.  
Fiona grew up listening to classical music and jazz whilst Paul hails from the glam rock bands of the 1980’s.  The duo gave a hugely enjoyable set to a sizeable and appreciative audience.  
When The Boat Comes In had a skilled jazzy piano and a folksy ending – sounds odd in writing but it works well musically.  Then came Take Five on guitar and whistle; a local song The Shoemaker, followed by Words Unsaid, with good jazz piano and a clarinet solo in true jazz tradition.  Other numbers included In The Wee Small Hours Of The Morning; Working Man Blues (Paul took the vocals, accompanied by clarinet and shakey egg); a Fiona original, The Mirror, a bebop style song with a bit of scat; a haunting song, Somalia.  And all most splendidly rounded off with a fast folksy instrumental, The Bellingham Stomp.  The band hails from Bellingham, so go there to see more of them. 
Andy May and Ian Stephenson: Andy May (keys, Northumbrian pipes); Ian Stephenson (guitar, double bass, melodeon).
These two are usually seen as a part of larger bands but they’ve been playing on and off as a duo for a number of years.  They too did a very enjoyable set with both folk and jazz elements and their presentation was closer to the way that folk musicians perform in folk clubs, with quite a bit of friendly self-deprecating chat.  The tunes (no singing) were played in pairs. They included; a lively Swedish tune; an original by Andy; then Arathusa on pipes and guitar, which is a version of a morris dance tune; Trip To Scarborough; Helsinki, with Ian on a very pleasing melodeon; straight folk tunes such as Kissed her Under The Coverlet (yes, the title is meant to be rude); and Show Us The Way To Wallington, the last 2 both in 9/8 time. The double bass and sometimes the guitar added a jazz feel to the folk, and Andy plays a mean jazz piano with a cool jazz feel, as shown on tunes such as Coming Home. These two are both highly skilled musicians and I think they could well extend the jazz element further.  And to anyone who hasn’t heard the wonderful tender sound of Northumbrian pipes - nothing like Scottish bagpipes – hear them soon.
To round off a great night, both bands joined up to play a rousing Stranger On The Shore.
The jazz coop is hoping to organise monthly Jazz/folk events, not necessarily gigs as such, but maybe some kind of jam.  Ideas please, from readers of BSH.
Ann Alex

2 comments :

Debra M on f/b. said...

Great review Ann.

Lance said...

Mention of the pipes reminds me of the story about two Scotsmen playing the Highland Pipes. Midway through, one of them put down his pipes and picked up a set of Northumbrian Pipes much to the annoyance of the other piper who said "Will ye stop your Tickelling Jock?"

Blog Archive

Submissions for review

Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to them all other than those we are able to answer with a positive response.
Similarly, CDs received by post will only be considered if accompanied by sufficient background material.
Finally, bear in mind that this is a jazz-based site when submitting your album.
Lance

About this blog - contact details.

Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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