Total Pageviews

Bebop Spoken There

Don Rendell: "It was about the time that the organ-type piano attachment - the clavioline - was invented. And the poster billing at one place where we played up north announced proudly, but erroneously: "The Johnny Dankworth Seven, featuring Frank Holder and the cleolaine" " - (www.jazzprofessional.com, December 2001).

Mary Lou Williams: “...it was discovered I possessed perfect pitch. Rumour of this oddity spread throughout the school, and pupils would drop pots and pans and other loud objects, asking 'What note, Mary?' (Melody Maker, 1954).

Today Friday May 25

Afternoon

Rendezvous Jazz - Monkseaton Arms, Front Street, Monkseaton NE25 8DP. Tel: 0191 251 3928. 1:00pm. Free.

Swing Manouche - Bishop Auckland Town Hall, Market Place, Bishop Auckland DL14 7NP. Tel: 03000 269 524. 1:00pm. £5.00.

Evening

Jerron ‘Blind Boy’ Paxton - Sage Gateshead. 7:45pm. £15.30. NRFH. Solo blues, multi-instrumentalist, influences include Fats Waller & Blind Lemon Jefferson.

Shatner’s Bassoon - Jazz Café, 25 Pink Lane, Newcastle NE1 5DW. 8:00pm. £8 (£6 in advance).

Hand to Mouth (Lindsay Hannon & Bradley Johnston) - Vicolo: Live in the Lane, Tyneside Cinema, Pilgrim Street, Newcastle NE1 6QG. 8:00pm. Free.

Baghdaddies - Spanish City Plaza, Whitley Bay NE26 1BG. 6:00pm. Online booking: £10.00. + £1.37 booking fee. The Whitley Bay Carnival ‘Big Ball’ featuring debut of the Baghdaddies’ big band line-up.

Nick Pride & the Pimptones - Cumberland Arms, James Place Street, Byker, Newcastle NE6 1LD. Tel: 0191 265 6151. 6:00pm. Free.

Swamp Hoppers - Billy Bootleggers, Nelson St, Newcastle NE1 5AN. 9:00pm. Free.

Steve Bone - Al Forno, 81 Skinnergate, Darlington DL3 7LX. 7pm.

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Wednesday, June 25, 2014

CD Review: Dino Saluzzi Group - El Valle de la Infancia

Dino Saluzzi (bandoneon); Jose Maria Saluzzi (classical and requinto guitars); Nicolas “Colacho” Brizuela (classical guitar); Felix “Cuchara” Saluzzi (tenor saxophone, clarinet); Matias Saluzzi (electric bass, double bass); Quintino Cinalli (drums, percussion).
(Review by Hugh Cochrane).
It was during the recent visit of MP Chi Onwurah to the Globe that Lance approached me and asked me if I would like to review some CDs. “Er, well...”, I replied. “What do you like?” asked Lance. “Most things”, I replied - “ECM?” suggested Lance, and handed me a package containing two CDs in the iconic black and white livery of the label.
ECM have made it a trademark to put together artists signed to the label who are from different musical genres. I was already familiar with some of the output by Dino Saluzzi in collaboration with Anja Lechner – a classical cellist. In this work however we find him on home territory with his “family” band – their first such album since Juan Condori in 2006.
Saluzzi derives from North Argentina and this music captures the essence and spirit of this region. The disc exudes atmosphere, indeed Saluzzi is not interested in virtuosity for its own sake but invites the listener to let their imagination travel, with the music, to some different times and places. One does feel drawn into the Argentinian countryside. Saluzzi emphasises that, although the music is composed (predominantly by Dino himself), it is continually evolving and is not necessarily played the same way on each occasion.
There are eight tracks on the album, four of which are divided into two or more parts. The first track Sombras (darkness) sets the scene. The disc then takes us on a tour of the territories, expressed as a series of suites: La Polvadera to Pueblo. At this point we are introduced to the artists father and son (A mi Padre y a mi Hijo). We then progress on to Churqui and Urkupina. The mood remains generally contemplative, evocative of stifling summer heat, where the best plan is to sit around in the shade jamming over a cool beer. Its now time to join the party in La Fiesta Popular, where the mood hots up, just a little, but never too much. The final track, Tiempos Primeros, is in a similar vein and nicely concludes the journey. We feel exhilarated, and a little tired, but not exhausted.
Lovers of tango and Argentinian music in general will love this disc. Is this jazz? – well, probably not, but it certainly carries some of the spirit of the oeuvre. Jazz lovers will, I'm sure, find much to delight the ear.
Hugh C.
ECM. Catalogue No. 7700323 available now.

No comments :

Blog Archive

Submissions for review

Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to them all other than those we are able to answer with a positive response.
Similarly, CDs received by post will only be considered if accompanied by sufficient background material.
Finally, bear in mind that this is a jazz-based site when submitting your album.
Lance

About this blog - contact details.

Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

Subscribe!