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Bebop Spoken There

Don Rendell: "It was about the time that the organ-type piano attachment - the clavioline - was invented. And the poster billing at one place where we played up north announced proudly, but erroneously: "The Johnny Dankworth Seven, featuring Frank Holder and the cleolaine" " - (www.jazzprofessional.com, December 2001).

Mary Lou Williams: “...it was discovered I possessed perfect pitch. Rumour of this oddity spread throughout the school, and pupils would drop pots and pans and other loud objects, asking 'What note, Mary?' (Melody Maker, 1954).

Today Friday May 25

Afternoon

Rendezvous Jazz - Monkseaton Arms, Front Street, Monkseaton NE25 8DP. Tel: 0191 251 3928. 1:00pm. Free.

Swing Manouche - Bishop Auckland Town Hall, Market Place, Bishop Auckland DL14 7NP. Tel: 03000 269 524. 1:00pm. £5.00.

Evening

Jerron ‘Blind Boy’ Paxton - Sage Gateshead. 7:45pm. £15.30. NRFH. Solo blues, multi-instrumentalist, influences include Fats Waller & Blind Lemon Jefferson.

Shatner’s Bassoon - Jazz Café, 25 Pink Lane, Newcastle NE1 5DW. 8:00pm. £8 (£6 in advance).

Hand to Mouth (Lindsay Hannon & Bradley Johnston) - Vicolo: Live in the Lane, Tyneside Cinema, Pilgrim Street, Newcastle NE1 6QG. 8:00pm. Free.

Baghdaddies - Spanish City Plaza, Whitley Bay NE26 1BG. 6:00pm. Online booking: £10.00. + £1.37 booking fee. The Whitley Bay Carnival ‘Big Ball’ featuring debut of the Baghdaddies’ big band line-up.

Nick Pride & the Pimptones - Cumberland Arms, James Place Street, Byker, Newcastle NE6 1LD. Tel: 0191 265 6151. 6:00pm. Free.

Swamp Hoppers - Billy Bootleggers, Nelson St, Newcastle NE1 5AN. 9:00pm. Free.

Steve Bone - Al Forno, 81 Skinnergate, Darlington DL3 7LX. 7pm.

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Saturday, April 26, 2014

CD Review: Michael Feinberg's “HUMBLEBRAG” Live at 800 East

Michael Feinberg (Bass/ Bass guitar); Godwin Louis (Alto); Billy Buss (Tpt);  Julian Shore (Pno); Terreon Gully (dms); Jacob Deacon (Gtr on 1 track).
(Review by Dave Brownlow).
This album offers us a “Glimpse of Jazz’s Future” featuring six original compositions by bassist/composer Michael Feinberg (who also leads The Elvin Jones Project in the U.S.) played by an up and coming group of young musicians on  the New York scene.


The opener, Tutuola is based on a relentless motif – the energetic solos, driven by explosive drummer Gully, hover around a repeated single-note bass pedal point. Puncher’s Chance is built around a bass-led ostinato where the alto and trumpet seem to trade phrases as boxers trade punches. Pianist Shore has an attractive solo in between rounds!
But the Sound is a longer three-part suite moving to and from extremes of mood. It starts quietly and atmospherically out-of-tempo with challenging harsh harmonies. The middle section has the trumpet and alto improvising solos together clashing with many dissonances. This leads to pleasant flowing alto and piano solos followed by a reprise of the out-of-tempo section to conclude.
Duckface is a blues with altered chord changes which joyfully charges along in a “down-home” groove with heated solos from alto and trumpet. A ballad, Untitled 2 follows – again constructed from a bass-led figure. This features gentle solos from Shore and guitarist Deacon who appears on this one track.
Finally the title track Humblebrag is reminiscent of some of Miles Davis’s early electric-fusion work. Following the theme statement, there is a fine “Jarrett-esque” piano interlude and a melodic bass-guitar solo leading to a final out-chorus well thrashed by drummer Gully.
As you can imagine in a bassist-led album, the sound of the bass is well to the fore in the sonic mix. This is a useful thing for the listener, as it helps one to focus on “where you are” in the structure of the pieces and the solos.
Due out on May 6, “Humblebrag” is available at Amazon.com, iTunes and at www.humblebrag_band.com
Dave B.

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Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to them all other than those we are able to answer with a positive response.
Similarly, CDs received by post will only be considered if accompanied by sufficient background material.
Finally, bear in mind that this is a jazz-based site when submitting your album.
Lance

About this blog - contact details.

Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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