Total Pageviews

Bebop Spoken There

Don Rendell: "It was about the time that the organ-type piano attachment - the clavioline - was invented. And the poster billing at one place where we played up north announced proudly, but erroneously: "The Johnny Dankworth Seven, featuring Frank Holder and the cleolaine" " - (www.jazzprofessional.com, December 2001).

Mary Lou Williams: “...it was discovered I possessed perfect pitch. Rumour of this oddity spread throughout the school, and pupils would drop pots and pans and other loud objects, asking 'What note, Mary?' (Melody Maker, 1954).

Today Friday May 25

Afternoon

Rendezvous Jazz - Monkseaton Arms, Front Street, Monkseaton NE25 8DP. Tel: 0191 251 3928. 1:00pm. Free.

Swing Manouche - Bishop Auckland Town Hall, Market Place, Bishop Auckland DL14 7NP. Tel: 03000 269 524. 1:00pm. £5.00.

Evening

Jerron ‘Blind Boy’ Paxton - Sage Gateshead. 7:45pm. £15.30. NRFH. Solo blues, multi-instrumentalist, influences include Fats Waller & Blind Lemon Jefferson.

Shatner’s Bassoon - Jazz Café, 25 Pink Lane, Newcastle NE1 5DW. 8:00pm. £8 (£6 in advance).

Hand to Mouth (Lindsay Hannon & Bradley Johnston) - Vicolo: Live in the Lane, Tyneside Cinema, Pilgrim Street, Newcastle NE1 6QG. 8:00pm. Free.

Baghdaddies - Spanish City Plaza, Whitley Bay NE26 1BG. 6:00pm. Online booking: £10.00. + £1.37 booking fee. The Whitley Bay Carnival ‘Big Ball’ featuring debut of the Baghdaddies’ big band line-up.

Nick Pride & the Pimptones - Cumberland Arms, James Place Street, Byker, Newcastle NE6 1LD. Tel: 0191 265 6151. 6:00pm. Free.

Swamp Hoppers - Billy Bootleggers, Nelson St, Newcastle NE1 5AN. 9:00pm. Free.

Steve Bone - Al Forno, 81 Skinnergate, Darlington DL3 7LX. 7pm.

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Saturday, January 25, 2014

Relaxin’ with Saxophonics on Buster Keaton’s Boat. January 24

Saxophonics: Keith Robinson (alto & soprano saxophones), Steve Summers (alto & tenor saxophones), Graeme Wilson (tenor saxophone) & Niall Armstrong (baritone saxophone)
(Review by Russell)
Saxophonics at the Jazz Café. The dedicated few up front, the chattering classes at the back. Intoxicated or cloth-eared, it is difficult to understand how anyone can’t sit with rapt attention when Saxophonics take to the stand. A pad of originals, classic numbers arranged and in some cases painstakingly transcribed, the Tyneside based saxophone quartet are up there with the best of them. New York to Camarillo to Blyth to the wine bar, Saxophonics traverse the chamber jazz globe reaching for the stars (make that the moon). Small in number, the sound is often that of a roaring large ensemble.
Tenor man Graeme Wilson’s Street of Furs opened the show, as it does on the quartet’s recently released CD The River Flows at Night. Four musicians engaged in musical conversation; convivial consensus, a joke, laughter, a discordant disagreement (amicably resolved), a point well made. The interaction is as tight as could be; sight-readers all, a knowing cue, a telepathic understanding. On more than one occasion one or more of the ensemble took a step back in admiration of their band mates’ solo flights. A new Niall Armstrong tune - Go Forth - sounded good, let’s hear it again. Wilson’s Damfino is one to hear again and again. Check out Brass Jaw’s recording of the tune, a tune to stand the test of time.
The River Flows at Night took it down, late night. Mike Mower’s charts appeal to the quartet allowing Keith Robinson’s incisive soprano to strike out and again on Armstrong’s Accidental Death. Wilson’s Stranded at the Wine Bar evoked that sense of dread - being in the wrong place, wearily accepting of the fact, hoping something (someone?) will turn up. Relaxin’ at Camarillo,  A Night in Tunisia, The New Wallaw (aka The New Wetherspoon’s!) - three fantastic tunes. More please! Bobby Watson? Yes, please! Oh. yes…Come Fly with Me. What more could one ask?
Keith Robinson alluded to the absence of a rhythm section (the Jazz Café is a little cramped). The bass player must have been hiding around the corner. Nope. The quartet’s internal rhythm section - Niall Armstrong - achieved super human feats. It was all down to Armstrong and relief rhythm maker Wilson. The altoists - Robinson and Steve Summers – soared, reaching for the stars. It was some journey. Buster Keaton’s boat? Damfino was the name, apparently.               
Russell.                    

No comments :

Blog Archive

Submissions for review

Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to them all other than those we are able to answer with a positive response.
Similarly, CDs received by post will only be considered if accompanied by sufficient background material.
Finally, bear in mind that this is a jazz-based site when submitting your album.
Lance

About this blog - contact details.

Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

Subscribe!