For the past sixteen years we've been updating the world about jazz in the north east of England and updating the north east of England about jazz in the world. WINNER of the Jazz Media Category in the 2018 All Party Parliamentary Jazz Awards. Contact lanceliddle@gmail.com
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From This Moment On ...
March
Fri 29: FILM: Soul @ The Forum Cinema, Hexham. 12:30pm. Jazz-themed film animation.
Fri 29: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 29: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 29: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 29: Abbie Finn Trio @ The Vault, Darlington. 6:00pm. Free. POSTPONED!
Fri 29: Thundercat @ Newcastle City Hall.
Fri 29: John Logan @ Prohibition Bar, Newcastle. 8:00pm. A ‘Jar on the Bar’ gig.
Fri 29: True Colours @ Barrels Ale House, Berwick. 9:00pm. Blues, jazz & swing.
Sat 30: Papa G’s Troves @ Prohibition Bar, Newcastle. 8:00pm. A ‘Jar on the Bar’ gig.
Sat 30: Pete Tanton’s Cuba Libre @ Whitley Bay Library, York Road, Whitley Bay. 8:00pm.
Sun 31: 4B @ The Ticket Office, Whitley Bay Metro Station. 3:00pm. Free.
Sun 31: Ruth Lambert Trio @ Juke Shed, Union Quay, North Shields NE30 1HJ. 3:00pm. Free. Lambert, Alan Law & Paul Grainger.
Sun 31: Sid Jacobs & Tom Remon @ Prohibition Bar, Newcastle. 7:00pm. Free. A ‘Jar on the Bar’ gig. USA/London jazz guitar duo.
Sun 31: Bellavana @ The Globe, Newcastle. 8:00pm.
April
Mon 01: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.
Mon 01: Ray Stubbs R&B All Stars @ Billy Bootlegger’s, Ouseburn, Newcastle. 3:00pm. Free.
Tue 02: Jam session @ The Black Swan, Newcastle. 7:30pm. Free. House trio: Dean Stockdale, Paul Grainger, Abbie Finn.
Wed 03: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 03: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 03: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.
Thu 04: FILM: Soul @ Forum Cinema, Hexham. 2:00pm. Jazz-themed film animation.
Thu 04: Vieux Carré Jazzmen @ The Holystone, Whitley Road, North Tyneside. 1:00pm. Free.
Thu 04: Funky Drummer @ The Globe, Newcastle. 7:30pm. Free.
Thu 04: Eva Fox & the Jazz Guys @ Prohibition Bar, Newcastle. 8:00pm. Free. A ‘Jar on the Bar’ gig.
Thu 04: Tees Hot Club @ Dorman’s Club, Middlesbrough. 8:30pm.
Sunday, April 28, 2013
Quercus: The Sage: Saturday April 27
Blog Archive
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2013
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April
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- Northern Line Showcase @ Live Theatre, Newcastle. ...
- Album Review: Ian Chalk/Dan Clarkson - The Nearnes...
- Montreal Jazz Festival
- The J Word – Hall 1, The Sage, Gateshead, April 28...
- International Jazz Day
- Jimmie Willets?
- Jazz in the Afternoon - Crescent Club, Cullercoats
- I'll Never Forget
- May/June Splinter Listingss
- Mark Williams Plays Pat Metheny and Wins! Bridge H...
- Quercus: The Sage: Saturday April 27
- A piece of local jazz history.
- Video clip of Anthony Strong.
- CD Review: Mike Arroyo Jazz Organ Trio - Full Circle.
- SNJO "The Incredible Stan Kenton". Queen's Hall, E...
- CD Review: Human – Being Human
- Katherine Stone Quartet/Jam Session - Star, Newcastle
- Darlington Jazz Festival @ The Forum. Day 2 April ...
- Dave Kane Quartet make debut at Seven Jazz
- Lindsay Hannon Plus in Ernest Tuesday April 23.
- CD Review: VOLE – The Hillside Mechanism
- Darlington Jazz Festival @ The Forum. April 20, 20...
- Mark Toomey w. Jeremy McMurray Trio @ The Cherry ...
- CD Review: Eyes of a Blue Dog - Rise.
- Cherry Tree Celebrates 5th Anniversary with Discou...
- Melody Maker Magic.
- Sue Ferris/James Birkett Quartet, Roly Veitch. Bla...
- Red Stripe @ Boston Spa. April 20
- CD Review: Chris Greco Quartet - Trane of Thought
- Hot Fingers: Customs House, South Shields: Friday ...
- CD Review: Klökkeblömst
- Scottish National Jazz Orchestra (SNJO) directed b...
- You want piano? - You got it!
- CD Review: Hot Fingers - By a Waterfall.
- CD Review: Busk ACV
- Final Recitals
- National Record Store Day.
- Mo Scott @ Hoochie Coochie
- Mike Papapavlou & Chris Finch @ Newcastle Universi...
- CD Review: Dorothy Doring and Phil Mattson - Compo...
- Jazz in Ernest plus Star Update.
- The Jazz Caff Refugees present - Lickety Split @ T...
- A new jazz blog!
- Preview Quercus - The Sage, April 27.
- Hoochie Coochie Highlights.
- ACV - Busk. Not really a review!
- Daryl Sherman:Warm greetings from Manhattan!
- Listening to Louis on Radio 2
- Northern Line Showcase - Live Theatre, Monday Apri...
- Jazz on Radio York
- The Big Bash at the Black Swan.
- Jazz in York.
- Composition and Jazz Ltd. Summer Update
- The Great American Songbook - Summer Course
- Jazz at the Lit and Phil - Saxophonics.
- Jazz Caff Refugees At The Star: April 10: The Budt...
- Mighty acorns and all that jazz...
- CD Review: Thought Fox – My Guess
- CD Review: Bruno Heinen Sextet - Tierkreis.
- Paul Edis Trio with Mark Williams @ The Cherrytree...
- Search For a New Jazz Star.
- GIJF: Day 1 - Stonephace Stabbins featuring Zoe Ra...
- How did you get into Improvised Music?
- Mentioned in Despatches
- CD Review: Joshua Redman - Walking Shadows
- GIJF Day 3: Jazz Words Part 2 - Christine Tobin’s ...
- CD Review: Troy Roberts – Nu-Jive 5 (XenDen Music)
- CD Review: Claudio Scolari – Synthesis (CSMD05)
- GIJF - Day 2: Northern Spirits. Ian Carr's Northum...
- GIJF Day 3: Alexander Hawkins & Louis Moholo-Mohol...
- GIJF Day 3: Way in to the Way Out
- GIJF Day 3: Jazz Words - Larkin's Jazz.
- GIJF: Day 3: On The Concourse: The Blue Jazz Quintet
- GIJF Day 3: Jazz from the North
- GIJF Day 3: Afternoon Jazz
- GIJF Day 2: Jens Thomas and Verneri Pohjola
- GIJF Day 2: Jazz from the North.
- GIJF Day 2. The Paul Edis Sextet: Concourse, Satur...
- GIJF: Day 2: The Concourse. April 6.
- GIJF Day 3: Saxophone Massive.
- GIJF: Some Highlights A personal view from Ann Alex
- GIJF Day 3: Ruby Turner; The Brand New Heavies. Ap...
- GIJF Day 2: Jazz Record Requests
- GIJF Day 1: Zara McFarlane. April 5 Hall 2
- GIJF Day 2: Workshop: An Introduction To Vocal Imp...
- GIJF Day 2: Bireli Lagréne Quartet/ Kevin Mackenzi...
- GIJF Day 1: Jambone Friday April 5: Hall 1
- GIJF Day 1 - Soweto Kinch & The Legend of Mike Smi...
- GIJF Day 1 NYJO with Mark Nightingale, Jacqui Dank...
- The One That Almost Got Away!
- The Collective @ Hoochie Coochie Thursday April 4,...
- Alan Glen Trio/Take it to the Bridge @ The Chillin...
- Early Bird Specials @ The Millstone 1pm. Today
- Peter Gilligan Trio @ The Star
- ACV on Tour.
- A Lyric from Gordon Phillips
- Jazz - Sounds of the 20th Century by James Birkett...
- CD Review: Lianne Carroll - Ballads.
- Preview Gateshead International Jazz Festival 2013...
- Preview Gateshead International Jazz Festival 2013...
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2 comments :
This was a concert full of colour - and that colour was black. From the black stage set, to the group members clothes to the darkness in Hall 2, to the songs of death, despair, disappointment and doom, all was black, Only the white keys on the piano stood out against the darkness.
But as a musical experience it was wonderful - such emotional death, passionate despair, epic disappointment and glorious doom.
June Tabor's unaccompanied opening song seared the darkness and had a timeless quality. It could have been an ageless woman singing to a few friends in the kitchen of a candle-lit cottage somewhere. Tabor was channelling tradition and the effect was stunning. Then the unfolding improvisations of the piano and saxophone adding a rich textural depth.
The selection of songs was diverse and challenging. Jobim's How Insensitive re-configured as a Bergman-like feeling of regret, Don't Think Twice It's Alright as a hopeless bitterness for mistakes made (and many others -see below).
If Beckett plays were ever turned into a musical this is probably what it would be like. No moment wasted or taken too seriously. Perfectly executed tunes, exquisitely chosen chords, notes and syllables, and spaces and silences eloquently located. Every repetition saying something different.
June Tabor told a story of a teenager going into a record shop and picking up a copy of her first album and asking the shop assistant what it was like. 'A bit dark and miserable' was the reply and the boy said with glee 'I'll have it'. The music is still dark but illuminated by flashes of humour, love and acceptance. I'll have it!
JC
PS - Thanks to the BSH reviewer for going through the songs from this gig as, for the first time I can remember at the Sage, the sound wasn't perfect. While I could mostly hear the singing quite well, it was difficult to hear June Tabor's introduction and explanation of the songs (and when you don't know them that's an important part of the whole experience). I kept having to whisper to my accompanist for clarification - 'Cheese-makers? Did she say she was going to sing a song about cheese-makers? 'Shussh, will you!'
I did wonder if the full black regalia were a contractual obligation with ECM!
The CD is worth a spin (many of the items from the Sage gig are on it). There is an interesting article on Quercus in the April issue of Jazzwise Magazine (http://jazzwisemagazine.com/feature-table-mainmenu-134/12675-quercus-floating-point)
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