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Bebop Spoken There

Simon Spillett: “ Bebop and hard bop came naturally to him [Tubby Hayes]". Morning Star, March 28, 2024.

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.

Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST!

Holly Cooper, Mouthpiece Music: "Lance writes pull quotes like no one else!"

Simon Spillett: A lovely review from the dean of jazz bloggers, Lance Liddle...

Josh Weir: I love the writing on bebop spoken here... I think the work you are doing is amazing.

Postage

16287 (and counting) posts since we started blogging 16 years ago. 169 of them this year alone and, so far, 41 this month (Mar 18).

From This Moment On ...

March

Thu 28: Vieux Carré Jazzmen @ The Holystone, Whitley Road, North Tyneside. 1:00pm. Free.
Thu 28: Gateshead Jazz Appreciation Society @ Gateshead Central Library, Gateshead. 2:30pm.
Thu 28: Richard Herdman Quartet @ Prohibition Bar, Newcastle. 8:00pm. A ‘Jar on the Bar’ gig.
Thu 28: Tees Hot Club @ Dorman’s Club, Middlesbrough. 8:30pm. Guests: Josh Bentham (alto sax); Alan Marshall (tenor sax); Neil Brodie (trumpet); Adrian Beadnell (bass); Graham Thompson (keys); Steve Hunter (drums).

Fri 29: FILM: Soul @ The Forum Cinema, Hexham. 12:30pm. Jazz-themed film animation.
Fri 29: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 29: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 29: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 29: Abbie Finn Trio @ The Vault, Darlington. 6:00pm. Free. POSTPONED!
Fri 29: Thundercat @ Newcastle City Hall.
Fri 29: John Logan @ Prohibition Bar, Newcastle. 8:00pm. A ‘Jar on the Bar’ gig.

Sat 30: Papa G’s Troves @ Prohibition Bar, Newcastle. 8:00pm. A ‘Jar on the Bar’ gig.
Sat 30: Pete Tanton’s Cuba Libre @ Whitley Bay Library, York Road, Whitley Bay. 8:00pm.

Sun 31: 4B @ The Ticket Office, Whitley Bay Metro Station. 3:00pm. Free.
Sun 31: Ruth Lambert Trio @ Juke Shed, Union Quay, North Shields NE30 1HJ. 3:00pm. Free. Lambert, Alan Law & Paul Grainger.
Sun 31: Sid Jacobs & Tom Remon @ Prohibition Bar, Newcastle. 7:00pm. Free. A ‘Jar on the Bar’ gig. USA/London jazz guitar duo.
Sun 31: Bellavana @ The Globe, Newcastle. 8:00pm.

April
Mon 01: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.
Mon 01: Ray Stubbs R&B All Stars @ Billy Bootlegger’s, Ouseburn, Newcastle. 3:00pm. Free.

Tue 02: Jam session @ The Black Swan, Newcastle. 7:30pm. Free. House trio: Dean Stockdale, Paul Grainger, Abbie Finn.

Wed 03: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 03: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 03: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Monday, April 08, 2013

GIJF Day 2. The Paul Edis Sextet: Concourse, Saturday April 6, 2013


Paul Edis (piano), Mick Shoulder (bass), Adam Sinclair (drums), Graeme Wilson (saxes), Graham Hardy (trumpet/flugelhorn), Alex Leathard (trombone).
(Review/photo by Jerry)
After initial reservations when its development was first announced, I have come to love the Sage. I feared it would be a “cathedral of music”: nothing more than an elite venue dedicated to devotees of classical music (a club from which I have voluntarily excluded myself for most of my life!). Structurally it is a cathedral, but there is nothing elitist or forbidding about it – rather it is a communal hub buzzing with life even on workaday days but all the more so when a major jazz festival is underway!
And whatever the genre, it is not all about the big stars (though they shone and dazzled all weekend like the Millennium Bridge at night) but about the local and the young and the up-and-coming….
On Friday, in Hall One, we had Jambone and NYJO: the very young, gifted locals and the slightly older national ensemble aided and abetted by local and national stars such as Tim Garland, Mark Nightingale, Jason Yarde and Jacqui Dankworth. And what a concert it was, from start to finish: proof, if proof were needed, that there IS a future for jazz and places like the Sage guarantee this wonderful continuum.
Exiting Hall One you become aware that the music still goes on – a band in the Concourse is in full (swinging) swing – its own audience now swelling with all those flooding down the stairs. The Concourse, with its almost non-stop, free, top-quality music typifies the open, welcoming atmosphere of the Sage in general and of the Festival in particular….
Which brings me, eventually, to the last shift on Saturday when a good crowd in the café and on the stairs enjoyed an hour-long set from the sextet featuring eight Edis originals, four of which I had not heard before. These four new (to me) pieces are set to feature “soonish” (Paul’s word) on the sextet’s  second CD – worth watching out for!
Administrate This, Echoes, Ravelations and Missing You (say “Aaah”, everyone!) were the familiar titles, arriving like old friends. Echoes sounds amazing in that huge, high-roofed space! In amongst those we had the Lord Prescott inspired Better than a Punch in the Face, Lost in Translation (50% Norwegian and 50% “Scouse”!), the suitably oriental Eastern and a cracking finale entitled simply The Timothys. This last was dedicated to his in-laws: such a belting good tune suggests that Paul knows which side his bread is buttered on! All heartily recommended – catch them when you can!
Jerry.

1 comment :

Anonymous said...

I too love the Sage and always get a buzz when I enter the building. It has to be said though that the Concourse is not the most acoustically perfect place for music, particularly when another concert ends and people walk back and forward in front of the band (maybe if the stage was moved forward towards the Cafe, traffic could go behind it?). However, when you are getting such a great band for free, what's to complain about. And that half the set was made up of new original piece shows the band is continuing to progress. Paul said that 'Eastern' was the working title for one piece and asked for other suggestions - How about 'East of Edis'?
The final new standout track 'The Timothys' was written in elevenths, according to Paul, as that's the number of family members. However, that's nothing - there were 11 in my mother's family and 12 in my father's. Nobody wrote them a tune but they had their own football league.
JC

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