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Bebop Spoken There

Don Rendell: "It was about the time that the organ-type piano attachment - the clavioline - was invented. And the poster billing at one place where we played up north announced proudly, but erroneously: "The Johnny Dankworth Seven, featuring Frank Holder and the cleolaine" " - (www.jazzprofessional.com, December 2001).

Mary Lou Williams: “...it was discovered I possessed perfect pitch. Rumour of this oddity spread throughout the school, and pupils would drop pots and pans and other loud objects, asking 'What note, Mary?' (Melody Maker, 1954).

Today Friday May 25

Afternoon

Rendezvous Jazz - Monkseaton Arms, Front Street, Monkseaton NE25 8DP. Tel: 0191 251 3928. 1:00pm. Free.

Swing Manouche - Bishop Auckland Town Hall, Market Place, Bishop Auckland DL14 7NP. Tel: 03000 269 524. 1:00pm. £5.00.

Evening

Jerron ‘Blind Boy’ Paxton - Sage Gateshead. 7:45pm. £15.30. NRFH. Solo blues, multi-instrumentalist, influences include Fats Waller & Blind Lemon Jefferson.

Shatner’s Bassoon - Jazz Café, 25 Pink Lane, Newcastle NE1 5DW. 8:00pm. £8 (£6 in advance).

Hand to Mouth (Lindsay Hannon & Bradley Johnston) - Vicolo: Live in the Lane, Tyneside Cinema, Pilgrim Street, Newcastle NE1 6QG. 8:00pm. Free.

Baghdaddies - Spanish City Plaza, Whitley Bay NE26 1BG. 6:00pm. Online booking: £10.00. + £1.37 booking fee. The Whitley Bay Carnival ‘Big Ball’ featuring debut of the Baghdaddies’ big band line-up.

Nick Pride & the Pimptones - Cumberland Arms, James Place Street, Byker, Newcastle NE6 1LD. Tel: 0191 265 6151. 6:00pm. Free.

Swamp Hoppers - Billy Bootleggers, Nelson St, Newcastle NE1 5AN. 9:00pm. Free.

Steve Bone - Al Forno, 81 Skinnergate, Darlington DL3 7LX. 7pm.

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Wednesday, October 31, 2012

Watson Walker Edis @ The Cluny. October 30

Lewis Watson (tenor saxophone), Rob Walker (drums) & Paul Edis (keyboards)
(Review by Russell).
 Cluny 2, the Cluny’s additional space deep in the bowels of the earth, hosted the latest of Schmazz’s regular last Tuesday of the month gigs. 
Watson Walker Edis have kept a low profile since their début performance at the Jazzathon fund raiser some fifteen months ago at the Lit and Phil. Indeed their only other outing was at the library in June of this year. They were two memorable performances and the Cluny date promised much. 
There was a good turn out at Cluny 2 (some prefer the smaller intimate space). 
Tenor saxophonist Lewis Watson informed the crowd that the first set would consist of a suite (the music heard at the Lit and Phil) lasting about forty five minutes. Those who heard those earlier performances knew they were in for something special! A series of compositions written by members of the trio (some co-written) ranged from ballad form to fearsome post Bop sections to stunning explorations of Coltrane and Ayler. 
During the interval many of those hearing the music for the first time said how impressed they were. 
The second set premièred new material. 
Watson’s articulation on tenor, in whichever register, reaffirmed his position at the top table and pianist Paul Edis’ left hand more than compensated for the absence of a bass player. Rob Walker, a listening, sight-reading drummer, contributed effectively throughout. An indication of just how good Watson Walker Edis are as a unit is the thought that a dep being drafted in simply wouldn't work. The next time they play a gig make sure you are there – you won’t regret it.
Russell

3 comments :

Anonymous said...

As good as Paul is, a great bass player is the primary element required to outline and underpin harmonic structure. No? Listen to some of Bill Evans or Oscar Peterson for example, and hear the difference when the bassist cuts in. A full aural spectrum is much preferred, although the only element that could be left out of an ensemble may be the drummer/percussionist if a famous jazz musician is to be believed - he quipped "it takes a helluva drummer to be better than no drummer at all" You never see a full orchestra without a bass player, but percussionists are at times, very conspicuous by their absence and or sparsity. Just my opinion of course.

Lance said...

Not quite sure where you're coming from here 'Nony'. A bass player does add depth to a combo but, in the absence of one - whether by necessity or choice, a two-handed pianist can do the job. The fact that this is the third gig these guys have done tells me that they are happy with the set-up. As one who knows Lewis Watson's very firm opinions (and Paul's) if they'd wanted a bass player they would have got one!

Anonymous said...

I was there. I enjoyed it, but a bass player was a BIG miss. As I said in my post - just my opinion.

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Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to them all other than those we are able to answer with a positive response.
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Lance

About this blog - contact details.

Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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