Total Pageviews

Bebop Spoken There

Don Rendell: "It was about the time that the organ-type piano attachment - the clavioline - was invented. And the poster billing at one place where we played up north announced proudly, but erroneously: "The Johnny Dankworth Seven, featuring Frank Holder and the cleolaine" " - (www.jazzprofessional.com, December 2001).

Mary Lou Williams: “...it was discovered I possessed perfect pitch. Rumour of this oddity spread throughout the school, and pupils would drop pots and pans and other loud objects, asking 'What note, Mary?' (Melody Maker, 1954).

Today Friday May 25

Afternoon

Rendezvous Jazz - Monkseaton Arms, Front Street, Monkseaton NE25 8DP. Tel: 0191 251 3928. 1:00pm. Free.

Swing Manouche - Bishop Auckland Town Hall, Market Place, Bishop Auckland DL14 7NP. Tel: 03000 269 524. 1:00pm. £5.00.

Evening

Jerron ‘Blind Boy’ Paxton - Sage Gateshead. 7:45pm. £15.30. NRFH. Solo blues, multi-instrumentalist, influences include Fats Waller & Blind Lemon Jefferson.

Shatner’s Bassoon - Jazz Café, 25 Pink Lane, Newcastle NE1 5DW. 8:00pm. £8 (£6 in advance).

Hand to Mouth (Lindsay Hannon & Bradley Johnston) - Vicolo: Live in the Lane, Tyneside Cinema, Pilgrim Street, Newcastle NE1 6QG. 8:00pm. Free.

Baghdaddies - Spanish City Plaza, Whitley Bay NE26 1BG. 6:00pm. Online booking: £10.00. + £1.37 booking fee. The Whitley Bay Carnival ‘Big Ball’ featuring debut of the Baghdaddies’ big band line-up.

Nick Pride & the Pimptones - Cumberland Arms, James Place Street, Byker, Newcastle NE6 1LD. Tel: 0191 265 6151. 6:00pm. Free.

Swamp Hoppers - Billy Bootleggers, Nelson St, Newcastle NE1 5AN. 9:00pm. Free.

Steve Bone - Al Forno, 81 Skinnergate, Darlington DL3 7LX. 7pm.

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Tuesday, September 25, 2012

Paul Edis’ Improvisation & Ear Training Workshop @ The Lit & Phil. September 24

(Review by Russell).
Stormy Weather felled Autumn Leaves. Hatches battened, this was Key Largo writ large but Gumshoe Bebop was determined to spend some shoe leather in pursuit of Improvisational Enlightenment.
In Toon, t-shirts and mini skirts defied stair rods, seeking shelter in the next nearest gin joint, then the next. Up ahead, on the corner of Collingwood and Westgate, the Lit & Phil’s lamplight looked so inviting (in the Gallery of Imaginary Bebop Art there is a little known Edward Hopper streetscape depicting the façade of this inner-city seat of learning and self-improvement. If you haven’t seen it, it’s the one with oddball characters entering and exiting the building: the steam train buff, the U3A student, the über-cool chanteuse).
Inside, a coffee pot struck up conversation with life-long friends and made new acquaintance. Pianist and educator Paul Edis chatted with the keen and the curious and the drenched ahead of his Improvisation & Ear Training workshop. Dr Edis had prepared well. Laptop, notes, hand-outs – all were at hand. A piano made for the elephant in the room. The workshop didn’t start on time. Or maybe it did. It depends who counts it in. Edis did (he is a jazz musician).
Improvisers, would-be improvisers and the curious (Gumshoe Bebop) assembled in numbers many a promoter would be delighted to see at a gig - classical musicians (there were admissions of bafflement about the Misterioso world of improvisation), folkies and rockers. The jazz scene was represented – Debra and Gabi, Mike and Ruairidh. Edis said he would like to begin by talking about intervals. Gumshoe Bebop thought to himself: We’ve only just started. Much talk of extensions and triads, flattened fifths. Edis said: Improvisation is making decisions. Gumshoe Bebop decided to listen, listen hard.
Dr Edis sat at the piano. He demonstrated the ascending melodic minor. The assembled hummed in unison. Gumshoe Bebop took notes. The Lydian scale, quarter notes, semi tones. His head began to hurt – it felt like he’d fallen over a Down Beat paving stone and had an argument with terra firma. Regaining his senses he heard a familiar sound..So What brought him round.
The interval – the kind understood by Gumshoe Bebop – offered the welcome prospect of a refill and a chat. The assembled assumed Gumshoe Bebop played an instrument. He found this amusing. Dr Edis resumed his deliberations. More talk of modes and scales. More notes. More music from Edis, Miles and Trane. In no time it was over. Time to step out into the night. Gumshoe Bebop decided to aquaplane home. Riding the rapids at Gallowgate, deep in thought, a discarded, shredded umbrella almost brought him down as he was preoccupied with the thought that perhaps he should take up the challenge and
buy a banjo.
The Paul Edis Trio can be heard on Thursday night (27 September) playing the music of Bill Evans at the Queen’s Hall in Hexham. The second installment of Dr Edis’ workshop series continues at the Lit & Phil on Monday 8 October. The confirmed starting time is 7:15 pm for 7:30 pm. It is free to attend. Seek it out and you may find Improvisational Enlightenment.
Russell (AKA Gunshoe Bebop).     

No comments :

Blog Archive

Submissions for review

Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to them all other than those we are able to answer with a positive response.
Similarly, CDs received by post will only be considered if accompanied by sufficient background material.
Finally, bear in mind that this is a jazz-based site when submitting your album.
Lance

About this blog - contact details.

Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

Subscribe!